Archive for the ‘Ronnie’s Entries’ Category

10th Log
TERMINATRYX LIVE VIDEO CLIP OF “SIEK+SAT” REMIX, WITH ITS REMIXER PAUL RIEKERT (of BATTERY 9) ON GUEST VOCALS (shot at Terminatryx support slot for MINISTRY’s first South African tour)

On 4 March 2015 TERMINATRYX supported iconic Industrial legend Al Jourgensen’s MINISTRY on their first ever South African tour (hosted by Witchdoctor Productions, at Carfax, Johannesburg).

In 2015 it had been 6 years since Cape Town-based TERMINATRYX toured up north, so the band took the opportunity to get South African alternative legend Paul Riekert (of Battery 9) on stage with them. The TERMINATRYX debut album got a full remixed version in the shape of “Remyx v1.0” (2011), and Paul chose the band’s first Afrikaans song “Siek+Sat” (translated: “Sick+Tired”). So a live version of this track was the perfect choice with which to include him on this auspicious evening for guest backing vocals.

Battery 9 are South African Industrial pioneers and hadn’t played live for years (since band member Huyser Burger’s sad, untimely death) – So it wasn’t just a thrill to have Paul on stage with TERMINATRYX, but also get him back in front of people who hadn’t seen him there in a while.

This live clip of the “Siek+Sat” remix was edited from a fan shot video and includes a cool range of photographs.

Thanks to everyone coming out to support, many flying in from all over South Africa for this one night only event.
(The SlashDogs were also on the bill)

A quote from Battery 9’s Paul Riekert on the experience of that night (4 March 2015):
“To do a guest spot, playing a remix I did, with a great band supporting Ministry, seemed like a really far-fetched idea 25 years ago… What a rush that was! Mind still blown. My eternal gratitude to Terminatryx.”

Produced & Edited by: Paul Blom (for Flamedrop Productions)
Shot by: Sophia Engelbrecht
Photography by:
Christelle Duvenage Photography
Henry Engelbrecht
Chris Acheson Photography
AGS Photo
Leigh Taylor Photography
Adaze
Royal Lens Photography
Muhammed Valiallah
Shaughan Pieterse

TERMINATRYX is:
Sonja Ruppersberg – lead vocals
Paul Blom – bass, programming, guitars, backing vocals
Patrick Davidson – guitars
Ronnie Belcher – drums, programming

Official site: http://www.terminatryx.com
iTunes: https://itunes.apple.com/us/artist/te…
Music: http://www.terminatryx.bandcamp.com
Facebook: http://www.facebook.com/Terminatryx
Video: http://www.youtube.com/Terminatryx
Twitter: http://www.twitter.com/Terminatryx

Advertisements

9th Log
TERMINATRYX HITS LUCKY 13!

2015 celebrates the 13th anniversary of TERMINATRYX.
Below is an article originally posted at Metal 4 Africa on this milestone and the release of the Terminatryx collection “Lucky 13: Anthology I” (an exclusive digital release via Fangoria Musick, feat. songs from across the band’s catalog) – get the anthology here: goo.gl/j6sc71
The piece includes quotes from all band members reflecting on the band’s 13 year journey.

(Access the original news article HERE)

Terminatryx_Lucky13_Cover_600pix

TERMINATRYX – “Lucky 13: Anthology I” (cover image by Dr-Benway)

Terminatryx “Lucky 13: Anthology I” Launches Worldwide

Cape Town’s industrial dark rock/metal quartet of Terminatryx celebrates the worldwide release today of their Lucky 13: Anthology I on this suitably spooky Friday the 13th, November 2015. The 13 track digital collection celebrates the band’s 13th anniversary and includes tracks from across all albums including the self-titled Terminatryx debut of 2008, Remyx v1.0 from 2011, and Shadow from 2014. This first Terminatryx collection is being released by Fangoria Musick – the digital audio imprint of the world’s foremost name in Horror since 1979 (visit the Fangoria announcement here & album link here).

The band founders had this to say:

“In the mid-‘90s I spent several years in Europe with my band V.O.D (Voice Of Destruction), playing drums – here we recorded for our German label and did a full tour with Katatonia and In The Woods supporting our Bloedrivier album. We were quite saturated and I was relieved to return home. During my first year back I spent time having fun with a solo project F8, using a bass guitar I bought in the UK.
I had no serious plans to start another band. But after meeting Sonja at Oppikoppi Trek 2000, within a year or two she indicated she wanted to do something band-wise; something SA music never really had; an electronic / hardcore blend with female vocals. I constructed some songs and approached it all as just some fun with my new girlfriend. Never did I expect us to reach thirteen years, outlive dozens of bands, release 3 albums, open for Ministry or win international music video awards! Time surely flies when you’re having fun!” ~ Paul Blom (writer/instrumentalist/backing vocals, Terminatryx)

“In thirteen years of being a member of Terminatryx there are a few things I know for certain. Nothing happens without sacrifice, sometimes even hard work is not enough and there will always be those that love you and those that hate you. If you manage to keep your head, take on good sincere criticism and ignore the rest, the experience can be amazing. The last thirteen years have been a period of learning and developing. More than anything else it has been a period of playing and creating, having fun and most of all making friends and building relationships. Out of Terminatryx came our Makabra Ensemble project and my A Murder acoustic project. Life, for me, would have been so dull without Terminatryx and here is hoping for many more years with great songs and killer music videos.” ~ Sonja Ruppersberg-Blom (writer/vocals, Terminatryx)

Long-standing band members also had some words to share, marking the momentous milestone:

“There are many things that I can say about the past thirtten years with Terminatryx. Being part of such an amazing band has challenged me in numerous ways, always with a positive outcome. For instance, drumming for Terminatryx is a ‘one of a kind’ job, with many technical aspects to consider such as in-ear monitoring when we perform live. This can be very demanding, as I have to keep constant focus – if I skip a beat, or go out of sync with the programmed backing elements, everything will fall apart. Luckily I have undertaken this challenge with a very disciplined approach, which has pushed me to become a much better drummer and musician. Feel free to buy me a tequila after a performance, not before! All the work that we have put in thus far has certainly paid off and we have an amazing team of people that we work with; from photographers, film-makers, sound engineers, designers, etc. I believe that we owe a majority of our success to these individuals that have given us their time and knowledge. I am also very fortunate to have such amazing band-members; Paul and Sonja certainly know how to spoil Patrick and I, and we are lucky to have them at the helm. I am very proud to form part of the Terminatryx machine and look forward to the next thirteen years!” ~ Ronnie Belcher (drums, Terminatryx)

“When I was approached to join Terminatryx as a performing guitarist in 2007, all I was thinking was that it would be an excellent opportunity to grow musically, and become better educated in the industry for a couple of years before the thing fell apart as most bands do. It has been both of those and so much more, minus the falling apart, amazingly. I had no long term plans or ambitions with the band, yet I find myself still here… despite even announcing my resignation in 2012. Funny how that worked out! These people are just too magnetic. Paul and Sonja’s devotion to each other spills over into their band as well, and obviously touches those who are attached to it. In that regard, my education continues still, but it’s become about more than just the industry; but about something far more important – people.” ~ Patrick Davidson (guitar, Terminatryx)

Connect with the band Terminatryx on facebook
Connect with M4A’s True Believer funding initiative on facebook
Connect with the author Patrick Davidson on Google+

 

5th Log
Ronnie’s Recipes: Peanut Butter Choc Chip Cookies

465476_413062612067176_432538301_o

Recipe #1 : Peanut Butter Choc Chip Cookies

Ingredients:

1 x Cup Sugarron_cookies

1 x Cup Butter

1 x Cup Flour

2 x Cups Oatmeal

1/2 Cup Peanut Butter

1/2 Cup Choc Chips

1 x Banana (Optional)

1 x Teaspoon Vanilla Extract (Optional)

Makes about 15 – 20 cookies.

Method:

Preheat oven to 180 degrees celsius.

Lightly grease baking tray.

Add all ingredients in a bowl and thoroughly mix with your hands until it forms a nice uniform dough.

Take a spoonful of dough and roll it into a small ball with your hands, slightly smaller than a golfball.

Place the dough balls onto the baking tray and press it flat with a fork, or your hands.

Make sure there is enough space between each cookie as they do expand in the oven.

Bake for 15 minutes.

Remove from oven and let it cool down for about 20 minutes before eating.

Enjoy!

The third TERMINATRYX blog post is Patrick’s intriguing first entry (of several linked parts).

3rd Log
The Weight Of The Knife: Part I – Patrick Davidson

Patrick DavidsonI can imagine that people must wonder what could have been going through my mind at that moment.  The moment when a dubiously shiny instrument, grasped firmly in my hand, set about to split the dermis of a living man.  Granted, it was living man who had brought himself into that very circumstance, powerless to resist the bite of the blade.  I glanced up to watch him grimace as flesh yielded to a drawn and searing sting.  A tendril of precious scarlet began immediately to reach out wonderingly into this new dimension, exploring gravity across bare skin.  I recall, in that very moment of first blood, my first true recognition that there would be no turning back from this ghoulish task until it had been completed.
A part of that recognition, of course, was that I knew my tormentee to not only be a husband and a father to two boys, but if inquiring into the appropriate circles, also a celebrated intellectual.  There was a certain weight of responsibility bearing upon the cold steel of that knife.  Would my conscience fall into question for the actions in which I was engaged?  Or perhaps my sense of morality?  Considering the context, it did not really matter.  Only blood mattered now, and pain.  And the witnesses.  So I proceeded with a second cut; cold-faced and meticulous in my intent; beset by a dark sense of determination.  More blood.  Then a step back to take in the bigger picture.  In his opposing resolve, the victim of my attention disguised it well by setting his jaw stubbornly.  But I knew.  Oh!  How our family man suffered as a small cluster of aghast spectators looked on, equally powerless to intervene and transfixed in a silent, lips-parted sort of amazement.  I was vaguely aware of a brief sound underlying the prescribed ambiance of the room.  Perhaps it was one of the onlookers clearing an anxious throat; or choking back their sick.  It was not my concern to heed the others as a harsh realization of what they were observing began to sink in.  I could continue my work in full confidence that there would be no intervention.
I stepped forward again to induce more anguish with a third incision.  Slowly, of course, before making way for all to admire my handy-work.  Time was on our side for this endeavor, and pain was the order of the day.  Multiple cameras rolled to capture the carnage whilst the beam of a projector flickered overhead.  The room was large with bare walls that were painted white, completely unadorned save for a large disc shape mounted high against the short end where I worked.  The purpose-built disc consisted of a heavy welded metal frame, wrapped neatly and lovingly with a canvas covering, also painted white.  The place was dimly lit, but there was enough illumination for all to see.  This had been made certain of.  There was also music for dramatic effect.  After another lengthy pause, I stepped forward and divided human tissue yet again.  This time he grunted, loudly enough that it carried into the room.  I sliced again.  And still again.
Please don’t mistake me for a brute though!  Muscle beneath the bloodied surface tissue began to tremble under strain when I approached.  There were times that he needed to rest.  I allowed him his reprieve as he slouched, and panted, and groaned.  Without words, we had quickly developed a symbiosis of knowing when to cut and when to wait.

To be continued in Part II…